caliban

caliban

美 [?kæl??bæn] 　英 [?kælibæn]

• n.(莎士比亞戲劇《暴風雨》中的)半獸半人怪物
• 網絡卡利班；凱列班；卡力班

英漢解釋

n.	1. (莎士比亞戲劇《暴風雨》中的)半獸半人怪物 2. 〈比喻〉丑惡殘忍的人

例句

His punishments of Caliban are petty and vindictive, as he calls upon his spirits to pinch Caliban when he curses.

他的丑陋處罰是瑣碎的和有報仇心的，如同當他詛咒的時候，他在他的精神之后呼叫掐丑陋一樣。

The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

十九世紀對浪漫主義的憎惡，猶如從鏡子里照不見自己面孔的凱列班的狂怒。

The image of Caliban provided by Prodpero is his own invention and we cannot define him in this way.

普洛斯彼羅提供的凱列班的形象也僅僅是他自己的發明，我們不能以此來界定他。

Which character the audience decides to believe depends on whether it views Caliban as inherently brutish, or as made brutish by oppression.

聽眾決定相信哪一個性仰賴無論它看丑陋如固有畜生般或依照藉著壓抑制造畜生般。

In his first speech to Prospero, Caliban insists that Prospero stole the island from him.

在他的第一演說普洛斯彼羅中，丑陋堅持普洛斯彼羅偷了來自他的島。

is the rage of Caliban not seeing his own face in a glass.

正如卡列班在鏡中看不見自身的狂怒。

the rage of Caliban seeing his own face in a glass.

正如卡列班在鏡中看見自身時的狂怒。

Alden T. Vaughan and Virginia Mason Brown, Shakespeare's Caliban: A Cultural history (Cambridge: Cambridge University Press, 1990).

奧爾登?T?沃恩和佛吉尼亞梅森布朗，莎士比亞中的的卡利班：《文化歷史》，劍橋：劍橋大學出版社，1990。

Caliban elects to remain in servitude. What ideal of "freedom" lies behind this contrast.

而凱列班則選擇繼續為奴，這個對比所要闡述的「自由」是什麼？

Both Caliban and Ferdinand profess an interest in untying Miranda's "virgin knot. "

丑陋和費迪南聲稱對不綁米蘭達的興趣“處女結。”

Caliban = Buffalo spirit. Skins + Berkoffian performance. On all fours. Poor actor!

卡利班=不法羅魔法。皮膚+瘋狂的表演--全部四章。可憐的演員。

How does Caliban compare with Montaigne's Cannibals?

凱列班和蒙田筆下的食人族相比又如何？

Merlin of Arthurian legend and Shakepseare's Caliban are two famous cambions.

亞瑟王傳說中的梅林和莎士比亞筆下的卡利班就是兩個著名的扮人妖。

Caliban repeats the mistakes he claims to curse.

丑陋重復錯誤他宣稱詛咒。

Exalted beyond this, as it sometimes is, it remains Caliban still and still plays the beast.

超越這點，那么有時它遺留只是卡利班或是魔鬼。

Is Caliban evil or just innocent?

凱列班究竟是無惡不做還是天真無邪？

On the other hand, Caliban's desire for sovereignty of the island mirrors the lust for power that led Antonio to overthrow Prospero.

另一方面，丑陋對島的主權渴求為領導安東尼奧的力量反映貪欲打倒普洛斯彼羅。

From then on, master-servant relationships like these dominate the play: Prospero and Caliban;

從然后在，之上主人-仆人像這些的關系支配游戲：普洛斯彼羅和丑陋；

Man and Monster: New Critiques on the Image of Monster Caliban

人與獸：怪物凱列班形象新論