Arbus

美 　英

• un.阿布斯(Diane,1923-1971,美國(guó)著名時(shí)裝攝影家)
• 網(wǎng)絡(luò)阿勃絲；阿勃斯

英漢解釋

un.	1. 阿布斯(Diane,1923-1971,美國(guó)著名時(shí)裝攝影家)

例句

Arbus learned to mix the realistic nature of photography with its expressive possibilities.

阿布斯懂得將畫面的真實(shí)特性與畫面的表現(xiàn)潛力加以（完美地）組合。

Arbus would visit the family at home: "They were undeniably close, in a painful sort of way, " she later wrote.

阿勃絲拜訪過這一家人的家：“他們用一種有些痛苦的方式，難以否認(rèn)地親密無間，”她后來寫道。

The Diane Arbus Estate, protected by her daughter Doon, makes it hard to reproduce her photographs (the book like this article has none).

黛安?阿勃絲的財(cái)產(chǎn)被她的女兒杜恩保護(hù)，這使復(fù)制她的攝影作品變得艱難（像本文所談及的書就一張都沒有）。

Boigon alleged that Arbus described her older brother, poet Howard Nemerov, as "one of her more intriguing sexual playmates. "

在與博爾岡的電話交談中，她聲稱，阿勃絲描述哥哥霍華德·奈莫洛夫為“她最讓人神魂顛倒的性伙伴之一”。

It's in this genre that he tries to make sense of what he terms Arbus's "oceanic" personality.

在這部心理傳記中，他試圖詮釋阿勃絲的所謂“海洋系”性格。

On different occasions, Arbus revealed, she had participated in group sex.

勃絲還揭露，自己在不同的場(chǎng)合參與了群交。

Arbus's images were transgressive in both their form and content: harsh black and white shots of so-called freaks, outsiders and misfits.

阿勃絲的影像在形式與內(nèi)容方面都超過正常尺度：包括所謂怪人、局外人、不適應(yīng)環(huán)境者的強(qiáng)烈刺眼黑白照。

Fascinated by their outsider lives, Arbus beguiled her sitters with infectious empathy.

阿勃絲著迷于那些局外人的生活，她利用易傳染的移情作用欺騙她的模特。

In being both ordinary and extraordinary, sex and sexuality was classic Arbus territory.

性與性欲，平凡也好，非凡也罷，都是經(jīng)典的阿勃絲的地盤。

In lyrical aspect, this series of works became the nostalgia of freaks to Arbus.

在抒情方面，這一系列作品成為阿勃絲對(duì)于畸形人攝影的鄉(xiāng)愁。

Fur: An Imaginary Portrait of Diane Arbus

皮囊：黛安·阿巴斯的假想肖像