Bateson

美 　英

• 網(wǎng)絡(luò)貝特森；巴特森；貝特深

例句

Now Bateson, not realizing that the unconscious is structure like a language, has but a rather mediocre conception of it.

現(xiàn)在這位巴特森并沒(méi)有體會(huì)到無(wú)意識(shí)結(jié)構(gòu)像個(gè)語(yǔ)言，他對(duì)于這個(gè)觀念僅僅只有粗淺的瞭解。

Bateson was tickled by the depth of the chameleon riddle and passed it on to his other students.

變色龍之謎的深?yuàn)W令貝特森沉醉，他繼續(xù)向自己的其他學(xué)生提出此疑問(wèn)。

Gregory Bateson described the flexibility of the body as a type of learning.

格雷戈里·貝特森把軀體的適應(yīng)性描述為一種學(xué)習(xí)形式。

Bateson had a most orthodox Oxford education and a most unorthodox career.

貝特森接受的是最正統(tǒng)的牛津教育，從事的卻是最異端的職業(yè)。

In place of the conventional opposition of nature (genes) and nurture (environment), Bateson and Martin offer a fresh synthesis.

在傳統(tǒng)的反對(duì)派的性質(zhì)（基因）和培育（環(huán)境），貝特森和馬丁提供一個(gè)新鮮的合成。

Gergory Bateson's awkward classic, "Naven" , is a study of ritual among a New Guinea people.

格雷戈里？貝特森的難讀的名著《納文人》是對(duì)新幾內(nèi)亞的一個(gè)民族中的禮儀的研究。

Wright, George Henry Bateson. Was Israel ever in Egypt? London: Williams & Norgate, 1895.

賴特，喬治·亨利·貝特森：以色列人曾經(jīng)在埃及嗎？倫敦：威廉和諾基特，1895。

Jacknis, Ira, and Margaret Mead, and Gregory Bateson. "Bali: Their Use of Photography and Film. " In Cultural Anthropology. pp.

瑪格麗特.米德、桂葛瑞.貝特森合著，〈巴里島：攝影與底片的用法〉，收錄于《文化人類學(xué)》，第160-177頁(yè)。