lyotard

美 　英

• 網(wǎng)絡(luò)利奧塔；李歐塔；利奧塔爾

例句

Lyotard, Jean Francois. The State of Postmodernism. Trans. Dao Zi. Changsha: Hu'nan Fine Arts Publishing House, 1996.

利奧塔：《后現(xiàn)代狀況》，島子譯。長(zhǎng)沙：湖南美術(shù)出版社，1996年。

Lyotard and Philosophical Explanation of the Concept "Postmodern"

利奧達(dá)與“后現(xiàn)代”概念的哲學(xué)詮釋

Habermas opposes division to pursue totality while Lyotard opposes totality to pursue differences.

哈貝馬斯反對(duì)裂變而追求總體性，利奧塔則反對(duì)總體性而追求異質(zhì)性。

We recognize the severity of intellectuals problem via Lyotard's intellectual theory.

利奧塔的知識(shí)分子理論使我們認(rèn)識(shí)到知識(shí)分子問題的嚴(yán)重性。

The dialogue between Habermas and Lyotard is the debate whether we should insist on or give up the position of modernity.

哈貝馬斯與利奧塔的對(duì)話，實(shí)際上就是堅(jiān)持還是放棄現(xiàn)代性立場(chǎng)的爭(zhēng)辯。

Lyotard considered that the core spirit of modern art is its ruleless.

利奧塔認(rèn)為，現(xiàn)代藝術(shù)的核心精神便是它的無規(guī)則性。

Chapter II is the detailed narration of Lyotard's theory.

第二章是對(duì)利奧塔理論的詳細(xì)闡述。

the last part analyze both the reasonably and the limitation, attempts to find a new path to surmounts Harbermas and Lyotard.

最后一部分深層次剖析兩者理論的合理與局限，試圖指出對(duì)兩者進(jìn)行超越和調(diào)和如何可能。

According to Lyotard, he insists on differences and calls us to fight for the whole reason.

他主張差異，號(hào)召向整體性開戰(zhàn)，也就是向堅(jiān)持大全理性的現(xiàn)代性開戰(zhàn)。

We can say that the basic feature of Lyotard's aesthetics is that he constituted his aesthetics system based on the discourse of sublime.

可以說，利奧塔美學(xué)的基本特點(diǎn)就是他把他的美學(xué)體系建立在對(duì)崇高的論述之上的。

the second part promulgate how Harbermas and Lyotard develop and inheritance the theory of predecessors';

第二部分揭示了哈貝馬斯和利奧塔對(duì)前人思想的繼承和發(fā)展；

Analysis of the Complexity of Lyotard's Post-modern Knowledge

利奧塔后現(xiàn)代知識(shí)的復(fù)雜性解讀

The Image of Post-modern Temporality--The Transition from Modernity to Post-modernity in the View of Lyotard

后現(xiàn)代時(shí)間性圖景--從利奧塔的觀點(diǎn)看現(xiàn)代向后現(xiàn)代的過渡

On Lyotard's Ideas of Narrative and Justice

論利奧塔的敘事與合法化思想