談?wù)?/c>著頂點著色及光照模型的理論知識。現(xiàn)在讓我們來看看它們實際是如何工作的。
At this point if you are satisfied with the result you can go to the next step. Creating and understanding shaders is the following topic.
在這里，如果你對這個結(jié)果滿意的話就可以往下一步了。在跟著的部分里，將創(chuàng)建材質(zhì)并對其進行理解。
New shaders have been introduced as well as a huge upgrade to how well the game runs in general.
新的圖形更新已經(jīng)被介紹就像這次升級幅度這么大一樣。
Write detailed procedural shaders using texture, displacement, pattern generation, and custom reflection models.
寫詳細的程序使用紋理著色器，位移，模式生成和自定義反射模型。
The procedural model used with vertex shaders enables a more general syntax for specifying common operations.
在程序上的模型中頂點著色允許更多一般語法實現(xiàn)指定通用操作。
If you use custom written Shaders, they have to be pixel-lit and use Geometry render queue.
如果使用自定義的著色器，它們必須是pixel-lit并使用幾何渲染隊列。
It is used to draw a very simple triangle with the help of a vertex and fragment shaders.
它是用來畫一個非常簡單的三角形在一個頂點和碎片著色器的幫助下。
Vertex shaders using innovative treatment technologies.
采用創(chuàng)新的頂點著色處理技術(shù)。
I also created a few custom Material Capture shaders for sculpting.
我還為雕刻建立了一些自定義MaterialCaptureshaders。
Write shaders for special effects relating to volumes, custom lighting, and non-photorealistic media.
寫著色器負責(zé)有關(guān)量，定制特殊燈光效果，非真實感媒體。
What slows things down is drawing objects multiple times, using complex vertex shaders and lots of polygons. This means.
被繪制的物體多次減慢了下來，使用復(fù)雜的頂點著色器和許多多邊形，這意味著。
Shaders are meant to be written by graphics programmers.
著色器是圖形程序員寫的。
A material swatch contains colors, texture maps, rendering styles and now gradient and noise shaders.
樣本中包含的材質(zhì)的顏色，紋理貼圖，渲染風(fēng)格，現(xiàn)在梯度和噪聲陰影。
Shaders are implemented through Materials, which are attached directly to individual GameObjects.
著色器通過材質(zhì)執(zhí)行，直接附屬到特定的游戲對象。
So what are the capabilities and benefits of using Vertex Shaders ?
那么，我們使用頂點著色的性能及利益在那里呢？
That means that the graphics card's shaders can be used from within any application.
這意味著圖形卡渲染器可以在任何應(yīng)用程序內(nèi)使用。
General discussion on lighting and shaders.
討論光源和陰影方面的問題。
No need to set most of the states if programmable shaders are used.
假如你使用可編程著色就沒有必要再設(shè)置一系列的狀態(tài)。
This includes the ability to define and use vertex and fragment shaders using the GLSL language.
這包括定義和使用頂點和碎片著色器使用GLSL語言的能力。
You can attach shaders directly to each point cloud for ultimate control.
用戶可以以一種非常徹底的控制形式給每個云點賦予材質(zhì)。
The procedural programming model used by vertex shaders is very scalable.
就程序上的規(guī)劃模型而言，頂點著色是絕對可升級的。
The spotlight and physical light shaders have a button to easily match the cone angle to the maya setting.
聚光燈的燈光的錐形角度（照射范圍角度）和物理燈光材質(zhì)通過一個按鈕可以輕易的匹配。
New Cavity Mixer which to define different material shaders based on the mesh cavities.
新型控混頻器，定義不同的材質(zhì)著色器基于網(wǎng)格置換。
The bump creator needs new shaders probably but we will see.
凹凸創(chuàng)建器可能需要新的著色器，但我們將拭目以待。
per-sample fragment shaders and programmable fragment shader input positions for increased rendering quality and anti-aliasing flexibility;
每個樣品片段著色器和可編程的片段著色渲染質(zhì)量增加投入的立場和反走樣的靈活性；
personal video recorder phosphors = display pixel fill rate pixel reads pixel rendering pixel shaders pixel writes polygons
個人視頻錄象機顯示象素填充速度
Popular highlights include: Working with Real-time Shaders; Setting up Models and Skinned Models;
熱門的重點包括：與實時著色工作，成立模型和去皮的模式；
Using Pixel Shaders for Post Effects; Problem-solving Approaches;
使用后對像素著色器，解決問題的辦法；
Guidelines for Writing Vertex Shaders
編寫頂點著色程的方針
The most important restrictions you should remember when writing vertex shaders are the following
下面我列舉了一些在編寫頂點著色程時你必須注意的東西
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